Kategorien
1851, 3d orange red Beaver, clear laid lines, ample to large margins, ...mehr
1851, 3d orange red Beaver, clear laid lines, ample to large margins, neatly-cancelled by black target, bright colour, a most attractive stamp, very fine; with 1984 Greene Foundation certificate.
1851, 6d slate violet Consort, on thin laid paper, four large to very ...mehr
1851, 6d slate violet Consort, on thin laid paper, four large to very large margins, lightly-struck with neat target cancel, a lovely stamp, very fine.
1851, 6d slate violet Consort, without visible laid lines, used, with ...mehr
1851, 6d slate violet Consort, without visible laid lines, used, with four large balanced margins, lightly-cancelled with '37' barred numeral, a lovely stamp, uncommonly found with such a cancellation, very fine; with 2025 Greene Foundation certificate.
1851, 6d slate violet Consort, on laid paper, prominent laid lines, ...mehr
1851, 6d slate violet Consort, on laid paper, prominent laid lines, large margins at left and right, close but clear at top and foot, fresh colour, attractive and fine-very fine; with 1982 Greene Foundation certificate.
1857, 6d red purple Consort, trial colour plate proof, on India ...mehr
1857, 6d red purple Consort, trial colour plate proof, on India paper, clear to very large margins, pleasing rich shade, very fine; with 2014 Greene Foundation certificate.
1851, 12d black Victoria plate proof, on India paper, overprinted ...mehr
1851, 12d black Victoria plate proof, on India paper, overprinted SPECIMEN vertically in carmine, four large margins all around, a lovely example of this ever-popular proof, very fine; with 1980 Greene Foundation certificate.
1851, 12d black Victoria plate proof, on card-mounted India paper, ...mehr
1851, 12d black Victoria plate proof, on card-mounted India paper, overprinted SPECIMEN vertically in carmine, four large to very large margins all around, a lovely example of this ever-popular proof, extremely fine
1878 (circa), 12d Queen Victoria, "Goodall" die proof in vermilion, ...mehr
1878 (circa), 12d Queen Victoria, "Goodall" die proof in vermilion, on India paper, 23 x 28mm, originating from the compound die and showing the characteristic "scar" in "CE" of "PENCE," impressive bright colour, an exceptional proof with tremendous visual appeal, extremely fine; ex "Denninger".
1851, 6d and 12d black Queen Victoria, group of four fantasy ...mehr
1851, 6d and 12d black Queen Victoria, group of four fantasy sketches, in pencil or ink, each on thick paper, three being variations of the full design, one of the 6d and two of the 12d, plus one in colour of the 12d without central vignette of the Queen, all with notations claiming them to be the work of the original designer, with "Clinton Wright 1851" and variations of R.W.H.E. or Rawdon, Wright, Hatch, and Edson also noted, with further notations "Purchased from the collection of Mr. Maurice Burrus, Feb 1959, Shanahan Auctions, Dublin, Ireland" with purported signatures of the infamous Dr. Paul Singer and renowned collector Maurice Burrus, each very well-executed, and though clearly fabrications and of uncertain origin, a most attractive group and whimsical additions to a specialized collection. Similiar fantasy sketches are also recorded of the 10d Cartier, including one prepared in the same style as the 6d offered here, as well as others in the design of the 1/2d, also without the Queen's portrait. One such Cartier sketch, offered for sale in 2015, was accomplanied by correspondence from 1974 between noted stamp dealer Kasimir Bileski, and the gentleman from whom he apparently purchased the sketch, a Captain C. W. Hollande of France.
1949, 12d black reproduction on Canadian Philatelic Society of Great ...mehr
1949, 12d black reproduction on Canadian Philatelic Society of Great Britain signed menu, from the reception and dinner of the convention of the Canadian Philatelic Society of Great Britain, held on April 22, 1949, at the North British Station Hotel in Edinburgh, listing both the menu (including "creme Ambassadour", "boiled Tay salmon"), as well as a list of toasts and replies, signed by over forty attendees, a charming memento of the history of organized Canadian philately, this event being only three years after the CPS of GB was re-launched under its current name.
1852, 3d red on medium wove paper, ample to mostly large margins all ...mehr
1852, 3d red on medium wove paper, ample to mostly large margins all around, close but clear at right, crisp centrally-struck target cancel in blue, vivid colour, fine-very fine.
1852, 3d red Beaver on wove paper, good to large margins, tied to ...mehr
1852, 3d red Beaver on wove paper, good to large margins, tied to 1858 mourning cover to Chatham by black grid cancel, Toronto C.W. (28 Jan) c.d.s. despatch strike at lower left, reverse with crisp next-day Chatham receiver, fine-very fine and fresh.
1855, 6d slate grey Consort, on wove paper, large margins on three ...mehr
1855, 6d slate grey Consort, on wove paper, large margins on three sides, close but clear at top, lightly cancelled in blue, scarce as such, a remarkably fresh stamp, fine-very fine; with 1983 Greene Foundation certificate.
1855, 6d gray violet Consort on thick hard wove paper, ample to large ...mehr
1855, 6d gray violet Consort on thick hard wove paper, ample to large margins on all sides, an elusive stamp, particularly challenging to acquire in this quality, very fine; ex Dennis Dunn, with 1994 Greene Foundation certificate.
1855, 10d blue Cartier, on thin, crisp paper, margins mostly ample to ...mehr
1855, 10d blue Cartier, on thin, crisp paper, margins mostly ample to large, close but clear at foot, unobstrusive and largely "face free" cancellation, fine-very fine; with 1980 Greene Foundation certificate.
1855, 10d blue Cartier, on thin, crisp paper, good margins, clear on ...mehr
1855, 10d blue Cartier, on thin, crisp paper, good margins, clear on all sides, struck with indistinct four-ring numeral cancel, deep shade, fine-very fine.
1857, ½d rose Queen Victoria, on wove paper, four large margins all ...mehr
1857, ½d rose Queen Victoria, on wove paper, four large margins all around, struck with crisp black grid cancel, very fine.
1857, ½d rose Queen Victoria, fair to large margins, tied to cover ...mehr
1857, ½d rose Queen Victoria, fair to large margins, tied to cover by black Toronto square grid endorsed "circular" at upper left, to the Master of Saint John's Lodge of Freemasons in Cayuga, unsealed as appropriate, a fine example of this difficult rate.
1857-64, ½d black Queen Victoria trial colour plate proof with major ...mehr
1857-64, ½d black Queen Victoria trial colour plate proof with major re-entry, on card-mounted India paper, vertical SPECIMEN overprint in carmine, showing the MAJOR RE-ENTRY (Position 60), most noticeable in the doubling of the lettering of CANADA, right frameline, etc., particularly desirable in black, choice and very fine; ex Sam Nickle (October 1988, lot 97).
1857, ½d rose Queen Victoria, on horizontally ribbed paper, ...mehr
1857, ½d rose Queen Victoria, on horizontally ribbed paper, imperforate unused, without gum, four clear to large margins, good colour, very minor tear at lower left corner, otherwise fine-very fine, and not detracting from the visual appeal of this rare stamp; with 1999 Greene Foundation certificate.
1857, ½d rose Queen Victoria on vertically ribbed paper, a striking ...mehr
1857, ½d rose Queen Victoria on vertically ribbed paper, a striking used vertical pair, ample to large margins, showing this distinctive paper type with strong vertical ribbing, cancelled twice by four-ring numeral "37" of Quebec City, some light aging mostly confined to reverse, a rare stamp particularly so as a multiple, very fine; with 2022 Greene Foundation certificate.
1857, 7½d green Queen Victoria, four ample to large margins, ...mehr
1857, 7½d green Queen Victoria, four ample to large margins, cancelled by partial four-ring numeral, horizontal crease, yet of otherwise fine-very fine appearance; with 1980 Greene Foundation certificate.
1851, 7½d green Queen Victoria plate proof, left-margin block of ...mehr
1851, 7½d green Queen Victoria plate proof, left-margin block of four, with large part Rawdon, Wright, Hatch & Edson New York imprint, on card-mounted India paper, ample to large margins, fresh and very fine.
1857-1864, 9½d green Queen Victoria plate proof inscription block, ...mehr
1857-1864, 9½d green Queen Victoria plate proof inscription block, upper left corner block of twelve, on card-mounted India paper, with full "Rawdon, Wright, Hatch & Edson, New-York" imprint at top, ample to very large margins all around, a scarce multiple, very fine.
1857-64, 9½d green Queen Victoria plate proof inscription block, ...mehr
1857-64, 9½d green Queen Victoria plate proof inscription block, lower left corner block of twelve, on card-mounted India paper, with full "Rawdon, Wright, Hatch & Edson, New-York" imprint at foot and small part at upper left, clear to very large margins, showing the misplaced entry in position 83, fresh and very fine, a lovely showpiece.
1857, 6d reddish purple Consort on very thick, fibrous soft paper, ...mehr
1857, 6d reddish purple Consort on very thick, fibrous soft paper, large to very large margins on three sides, just touched at top, neatly-cancelled by four-ring "21" numeral of Montreal, lovely rich colour, a sound and pleasing example of this scarce Pence issue, fine and quite elusive in this quality; with 1980 Greene Foundation certificate.
1859, 3d red Beaver, perforated 11¾, boldly-struck partial four-ring ...mehr
1859, 3d red Beaver, perforated 11¾, boldly-struck partial four-ring "37" numeral cancel of Quebec City, better-than-average centring for these notoriously tightly-spaced stamps, fine.
CANADA: Sc.#53P "Plate Proof" Block of 4, SUPERB, CHOICE! Scott ...mehr
CANADA: Sc.#53P "Plate Proof" Block of 4, SUPERB, CHOICE!
Scott #53P, Value $200.00
1913, brown black Officially Sealed, never hinged, nicely-centred, ...mehr
1913, brown black Officially Sealed, never hinged, nicely-centred, fresh and very fine.
Chalon, Alfred Edward, autograph letter signed, an undated letter ...mehr
Chalon, Alfred Edward, autograph letter signed, an undated letter from Chalon to Alan A. Watts, editor of the "Literary Souvenir", reading "My Dear Sir, I beg to acknowledge your obliging note and the souvenir. I now only want 1826 and 1829 to complete the set. I agree with you rejecting the colour of the book and it is already subdued. With best compliments to Mrs. Watts, I am, dear sir, Very truly yours, Alfd. Edwd. Chalon, Wednesday, Gr. Maborough St." Offered with a second unisigned letter written on Chalon's behalf, thanking the recipient for sending him "two proofs of the first place", this letter affixed to backing paper, a fine pair of letters from this famed portraitist. Alfred Edward Chalon (1780–1860) was a Swiss-born British painter, celebrated as one of the leading society artists of early Victorian England and a favourite of Queen Victoria. His 1837–38 portrait of the young Queen Victoria, known as the “Chalon Head,” became one of the most influential royal likenesses of the 19th century and served as the model for numerous classic postage stamps throughout the British Empire, including Canada's 12d black.
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Scott #53P, Value $200.00
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